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Sonny Stitt (tenorsax)
Sonny Stitt (1924 – 1982) was one of the best altosax artists in the Charlie Parker tradition, but when he took up the tenorsax around 1950, he became one of the strongest and most enthusiastic performers on this instrument… … Read entire article »
Filed under: Tenorsax
Frank Morgan
Frank Morgan (1933 – 2007) was one of the greatest modern altosax talents, believed possibly to be Bird’s successor, but ended up by spending most of his life in jail. … Read entire article »
Filed under: Altosax
Don Ferrara
Don Ferrara (1928 – 2011) was a white trumpeter of the “cool” school, mostly known for his work with Lee Konitz and the Gerry Mulligan Concert Band, but disappeared early from view. … Read entire article »
Filed under: Trumpet
Clifford Brown
Clifford Brown (1930 – 1956) was one of the greatest trumpeters of modern jazz and in jazz history, a true genius who brought his instrument to new heights, a magnificent improviser who could play anything without limits, but whose life ended so prematurely in a car crash. … Read entire article »
Filed under: Trumpet
Charlie Parker (part 2 – 1952-55)
Charlie ‘Bird’ Parker (1920 – 1955) (Part 2: 1952-55) was the creator of modern jazz, an incredible performer on his altosax, a living legend, the Icaros whose wings burned when he flew too high. … Read entire article »
Chuck Wayne
Chuck Wayne (1923 – 1997) was one of the very talented guitar players who participated in early bebop as well as other jazz styles and became particularly known for his work with pianist George Shearing in the early fifties. … Read entire article »
Filed under: Guitar
Nat King Cole
Nat King Cole (1917–1965) was a superstar in the popular world of singing, and will never be forgotten for hisvocal accomplishment, but as a paradox this overshadowed the fact that he was one of the greatest jazz pianists ever. Download The PIANO of Nat King Cole (PDF-file) … Read entire article »
Filed under: Piano
Your Guide to the Treasures of Vintage Jazz
Dear jazz friends all over the world! I would like to show my appreciation for all assistance given to me through the years, without which there certainly would not have been any solographies, nor any current “jazz archeology”! Tip: Sign up for our newsletters and receive e-mails when we update the website.
Jan Evensmo
Jazz Archeologist